• 49: Tease Me, Chaka Demus and Pliers (1993)

The premier Jamaican vocal duo MC Chaka Demus and singer Pliers have been answerable for enormous hits corresponding to Homicide She Wrote and Twist and Shout in addition to this Caribbean favorite. The drop from Pliers’s laid-back intro to Chaka Demus’s foot-stomping, bum-wiggling “Tease me tease me” part is at all times an amazing second on the dancefloor.

Dance Tip: The Bogle – wind up your waist, dancehall model. GDW

• 48: The Payback, James Brown (1974)

You would run a listing of “50 James Brown songs to make you dance”, however this vigorous grunt-and-groan workshop is the one to go for. In bar one, Brown’s drummer whacks the snare so exhausting, it makes you leap; seven-and-a-half minutes later he is whacking it tougher nonetheless. “Can I get some hits?” screams Brown presciently at 6’40”, nearly as if he knew the web was coming.

Dance Tip: Develop a moustache, moonwalk backwards, faint, be carried off by minders. TH

• 47: Maintain On, En Vogue (1990)

R&B woman group En Vogue broke by means of with this membership basic. A piercing a cappella rendition of Motown customary Who’s Lovin You leads right into a hip-hop beat with a cool bass line, horn and piano stabs. “You have to maintain on, to your love”, the women proclaim, and it’s their highly effective singing that carries this one.

Dance Tip: No matter it’s, synchronise for max woman group impact. GDW

• 46: Take Me Out, Franz Ferdinand (2005)

The Scottish art-school boys needed to make guitar music “women might dance to” they usually hit the bull’s eye with this audacious monitor that morphs from angular new-wave stutter to monster glitter stomp.

Dance Tip: A really sluggish working man with sharp knee and arm-bends. BM

Franz Ferdinand – Take Me Out on MUZU.TV.

• 45: Respect, Aretha Franklin (1967)

Soul queen Aretha Franklin’s re-working of Otis Redding’s 1965 tune has grow to be a floor-filling favorite. With Franklin’s gutsy, proto-feminist supply and the stonking, upbeat Stax association, it is one which’s assured to get the women on the dancefloor. The phrases “What you need…” have an electrifying impact.

Dance Tip: Plenty of pointing and mouthing of phrases. DC

• 44: Creep, TLC (1994)

TLC have been the epitome of Nineties new-wave R&B. Sassy and attractive, the dungaree-clad Atlanta girl-group slowed down new jack swing and added an empowered perspective and Prince-style eroticism. The Dallas Austin groove on that is so deep, it’d offer you vertigo.

Dance Tip: Ft aside, bounce your knees as little as they may go whereas winding your hips. Not for the arthritic. BM

• 43: Twistin’ the Evening Away, Sam Cooke (1962)

Don’t succumb to the Rod Stewart model; solely Sam Cooke’s authentic will do, boasting because it doesn’t simply the previous soul crooner’s superb voice however a sharper, extra infectious association.

Dance Tip: It is the twist, with the choice of an added twist of irony. DC

Sam Cooke AP

• 42: Black and Gold, Sam Sparro (2008)

Sweeping apart any credit-crunch gloom this yr got here sprightly Aussie-American Sam Sparro together with his observations on life, the universe and his favorite colors. Fortunately he pinned them to a monster refrain and throbbing beat that borrows from the disco basic Knock on Wooden and is simply pretty much as good.

Dance Tip: Comply with Mr Sparro: carry one knee and pump your arm as if stopping site visitors. BM

READ: The 50 finest Glastonbury performances ever

• 41: Israelites, Desmond Dekker (1968)

A Sixties pop favorite, then a skinhead anthem, now the one ska tune everybody is aware of. Dekker’s keening vocal intro drops right into a jerky rhythm which completely counterpoints his meditation on the difficulties of the day by day grind. The refrain is right singalong materials.

Dance Tip: Skanking – transfer your legs and arms in reverse instructions. GDW

• 40 Wake Me Up Earlier than You Go Go, Wham! (1984)

Whereby George Michael and Andrew Ridgeley made clear that their days as leather-clad “unhealthy boys” scamming for “soul on the dole” have been over. As an alternative, in a single fell swoop of frothy Fifties-tinted bubblegum pop, blond bouffant hair and hoop earrings turned de rigueur in a single day. The musical equal of consuming a pound of sugar.

Dance Tip: A bobbing fingerclicking jive: Tommy Steele on Prozac. THG

• 39: Valerie, Amy Winehouse and Mark Ronson (2007)

Ronson took the plodding beat of the Zutons’ authentic and made it swing with a quicker Motown drum beat. Nevertheless it’s the late Amy Winehouse’s playful scat vocals – “Did you get an excellent la-aw-aw-yer?” – and people swooning, button-bright horns that basically make it fly.

Dance Tip: Shimmy back and forth whereas clicking your fingers. BM

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• 38: Nearer than Shut, Rosie Gaines (1995)

Gaines was the matronly backing singer in Prince’s implausible band the New Energy Era. Her subsequent solo profession yielded only one second of observe, however its elegant mix of effervescent bassline and Gaines’s butterfly vocals give it a robust propulsive drive.

Dance Tip: Ft collectively, bend the knees two inches, straighten, repeat. TH

• 37: Buffalo Stance, Neneh Cherry (1989)

Beloved of unhealthy women on the again of the bus when wet-look gel and tight perms have been cutting-edge vogue, Cherry tapped right into a golden second in British music when rave, hip-hop and pop have been in joyful collision. It actually takes off on the refrain when she strikes away from bolshy rhyming and turns it right into a dreamy girl-pop anthem.

Dance Tip: Flick V-shaped arms throughout face and chest whereas mouthing “Yeah, sucker.” BM

• 36: Sometime, Ce Ce Rogers (1988)

At its zenith, acid home was faith you would dance to. This gospel stormer from Chicago manufacturing guru Marshall Jefferson is the enduring anthem of its most uplifting early years. It is principally flute, piano and a working schedule for international concord: “If we simply open our eyes we are able to make this world a paradise.”

Dance Tip: Plant toes, lengthen arms like Christ the Redeemer over Rio, weep tears of pleasure. TH

• 35: Unique Nuttah Shy, FX (1994)

The police sirens on the prime of this is likely to be a bit alarming for some, however others will likely be moved to uncontrollable pleasure by the frantic tempo and superlative toasting.

Dance Tip: Is dependent upon flexibility: excessive backside bounce for the flexible, pagan leg-hop for the much less so. BM

• 34: Related Stereo, MC’s (1992)

For a quick second, London’s Stereo MC’s joined the dots between hip-hop, rave and the indie-dance scene. Their peak was this splendidly ebullient soul-funk pop nugget.

Dance Tip: The Bez – hunch down apelike, jog on spot, mouth open, wide-eyed. THG

• 33: Carry on Movin’ Soul II Soul (1989)

Time to catch your breath as Jazzie B’s British collective maintain a membership groove at a tempo the place even probably the most geriatric dancer can take part.

Dance Tip: A imprecise left-to-right shuffle ought to do the trick. NM

• 32: 1999 Prince (1982)

The Minnesotan surprise proposes shaking your booty prefer it’s the final evening on earth. Pushed by a giant synth hook, staccato guitar and juddering drum machine sample, Prince heats up the groove with overdubs till there’s a complete disco stuffed with little Princes exhorting you to bounce your life away.

Dance Tip: It is the tip of the world: go loopy. NM


31: Miss You The Rolling Stones (1978)

Mick Jagger was the Stones’ disco fan. His spouse, Bianca, held a legendary get together at New York’s membership mecca, Studio 54, driving in on a white horse. Keith Richards, in the meantime, has at all times distanced himself from their disco dalliances – besides this one, whose lazy, harmonica-riffed charms have made it a beloved Stones basic.

Dance Tip: Much less Travolta, extra trundling. AP

• 30: Blue Monday, New Order (1983)

Of all of the synth-pop classics of the Eighties, Blue Monday has been probably the most enduring. Pounding drums interlock hypnotically with that synthesized melody. Bernard Sumner’s deadpan, melancholic lyrics paradoxically solely add to the tune’s proto-rave vitality.

Dance Tip: Robotic, for the Kraftwerk-via-Salford impact GDW

New Order – Blue Monday ’88 (Video) on MUZU.TV.

• 29: California Soul, Marlena Shaw (1968)

Lower by a supreme feminine jazz singer at a time when soul was absorbing parts of hippie-rock, California Soul is a tune of near-limitless enchantment. A staple of northern soul golf equipment for years.

Dance Tip: Misty-eyed shuffling. AP

• 28: All This Love that I am Giving, Gwen McCrae (1979)

McCrae was an archetypal tragic disco diva – the southern belter lived within the shadow of husband George; when she went solo, her success waned. However the British soul weekender scene of the Eighties stored this phenomenal disco-funk basic alive.

Dance Tip: Make like a horse whipping its tail back and forth, then throw in a quick spin in your heels. BM

• 27: ABC, The Jackson 5 (1970)

From that faraway neverland earlier than the late Michael Jackson was kidnapped by aliens and subjected to face-altering experiments, ABC is piano and guitar-driven Motown gold. Berry Gordy and his company channel the 5’s childhood exuberance and harmless ecstasy into one thing approaching pure pleasure. Straightforward as 1, 2, 3.

Dance Tip: Jiggle to proper, clap arms, jiggle to left. Synchronising with your loved ones helps. NM

The Jackson 5

• 26: Me and Child Brother, Struggle (1976)

Generally, a mere riff can kick-start a celebration, and so it’s with Struggle’s anthem of fraternal togetherness. It goes “chung-chung-chunga-cha-chung… heurgh!”, a singular rhythm which seemingly has the facility to show male dancers into the Starsky & Hutch character Huggy Bear – of their minds, no less than.

Dance Tip: “Excessive fives” to buddies and strangers alike. AP

• 25: Standing within the Approach of Management, The Gossip (2006)

An already potent howl of punk fury at US homosexual rights points was given a dynamic overhaul by Belgian electro-rockers Soulwax. The resultant pulsing bass and driving techno put Beth Ditto’s Arkansas outfit firmly on the map and have become a definitive second within the indie-dance crossover recognized till lately as nu rave.

Dance Tip: Pogo (ideally brandishing fluorescent jewelry). THG

24: Entire Lotta Love, Led Zeppelin (1969)

Greatest generally known as the theme to High of the Pops, this may type the boys from the boys: with its stop-start rhythms and orgasmic freak-out interlude, it is prone to ship the faint-hearted scurrying to the bar. Persevere, and you’ll be rewarded with the prospect to go berserk when the band (whump-whump!) come crashing again.

Dance Tip: Eyes closed, toes aside, head waggling. Non-compulsory air guitar. DC

READ: 30 nice songs about rain

• 23: Crank That, Soulja Boy (2007)

Atlanta’s Soulja Boy got here out of nowhere in 2007 with this deceptively easy tune constituted of preset sounds on the most cost effective out there studio software program. The ersatz metal pan hook might need been written with ringtone gross sales in thoughts, nevertheless it has an addictive high quality which is just enhanced by the repetitive chanted lyrics.

Dance Tip: Soar from left to proper and wave arms to authentically “crank that”. GDW

• 22: Re-Rewind the Crowd Say, Bo Selecta Clever Dodger that includes Craig David (1999)

The UK storage scene went overground with this soul-funk quantity nailed to south London beats (though they have been truly from Southampton). Launched the pop profession of Craig David.

Dance Tip: For ladies – arms over head, wiggle hips. For guys – put on puffa, slouch towards wall. THG

• 21: Love Shack The B-52’s (1989)

Beehived good-time gals Kate and Cindy provide up layers of kitsch harmonies whereas tuneless Fred Schneider performs ringmaster on the bordello. His declarations are certain to have everybody shouting “Funky little shack!” on cue.

Dance Tip: Soar up and down, wave your arms… something goes on the Love Shack, child. NM

• 20: Inexperienced Onions, Booker T & the MG’s (1962)

This inter-racial R&B combo from Memphis lower their debut tune utilizing outing from recording a radio jingle. Therefore its sleazy, after-hours really feel. Its regular beat and interaction of organ and electrical guitar has proved irresistible ever since, a dancefloor favorite amongst scooter boys and Blues Brothers followers alike.

Dance Tip: Head-bobbing; or a chin-jerk strut, à la mod. AP

Booker T Jones performs at an occasion hosted by US President Barack Obama on the White Home in April 2013 AFP/GETTY IMAGES

• 19: Seven Nation Military, White Stripes (2003)

Few out-and-out rock songs could make a dancefloor erupt, however the Detroit duo’s largest hit opens with a guitar lick so memorable that in relation to instantaneous response it is now certainly up there with Satisfaction. As viewers of Euro 2008 soccer video games may have heard, that lick has now grow to be a global soccer chant. Even maiden aunts can sense it feral energy.

Dance Tip: Play lick on thigh, shake out there hair. TH

• 18: Soar Round, Home of Ache (1992)

Few one-hit wonders have introduced as a lot pleasure as Home of Ache. Soar Round opens with a horn fanfare sampled from Bob & Earl’s Harlem Shuffle, as if to warn any delicate flowers on the dancefloor of the boisterous stupidity about to unfold. It’s gormless, however simple.

Dance Tip: Leaping nearly covers it. AP

READ: 50 finest love songs of the 1980s

• 17: Pull As much as the Bumper, Grace Jones (1981)

Jones was an achieved mixer of influences, and right here she does a pleasant job with New York (the place she was residing), Jamaica (the place she was born), and jet-set haven Nassau (the place the tune was recorded). It is awash with frankly hard-to-miss references to the sexual nature of the car. JG Ballard at all times opens with this one if he is doing a marriage.

Dance Tip: Arms at ten to 2 – mirror, sign, manoeuvre. TH

Grace Jones – Pull Up To the Bumper on MUZU.TV.

• 16: Ought to I Keep or Ought to I Go, The Conflict (1982)

The Conflict’s retro-flavoured anthem to indecision marks the purpose the place dancing and karaoke collide, sparking an orgy of posturing and up-close mouthing. Then comes the frenzied climax: complete chaos.

Dance Tip: Ft strutting, arms pumping like pistons, head jutting. DC

• 15: Push It, Salt-n-Pepa (1987)

The signature tune of the trio from Queens, NY has a thumping breakbeat and a monster synth sound which will get instantaneous dancefloor recognition. The women’ salacious invites to “push it good, p-push it actual good” solely add to the enjoyable.

Dance Tip: As lewd because the event permits. GDW

• 14: As soon as in a Lifetime, Speaking Heads (1981)

David Byrne’s lyrics concern the meaninglessness of fabric success. Dancefloors do not dwell a lot on that however, as an alternative, benefit from the Afro-flavoured groove and the chance to chant “identical because it ever was” in a humorous voice. Dance Tip: Go for the Byrne – wobble arms by sides as if boneless whereas trying paranoid. THG

• 13: Transfer on Up Curtis Mayfield (1971)

Horns, strings and all method of racy percussion mix in a sinuous, sensuous city funk groove. Shifting between tenor and falsetto, Mayfield raises consciousness whereas barely elevating a sweat. It’s the sound of black civil rights taking it to the dance ground.

Dance Tip: Unhealthy-ass Harlem perspective, as in the event you personal the block NM

Curtis Mayfield in 1973 AP

• 12: Dancing Queen, Abba (1976)

The title of Abba’s wedding-party evergreen is a self-fulfilling prophecy. There’s not a girl on earth, or a homosexual man, who will not dance to it. Therefore, DJs grudgingly pack their copy, prepared for the sudden entrance of a hen get together. Dance Tip: Finger twirling; swishing of bridal practice. AP

• 11: Hey Ya, Outkast (2003)

Hip-hop meets power-pop with overdubbed guitars, massed backing vocals and pounding drums on an addictive synthesized bassline. Joyous and totally rousing, Hey Ya is irresistible.

Dance Tip: “Shake it like a Polaroid image.” NM

• 10: I Really feel Love, Donna Summer season (1977)

Giorgio Moroder stripped away the strings and the horns to go away a razor-sharp synthesiser rhythm that seems like a police helicopter in a high-speed chase. Nevertheless it’s Summer season’s orgiastic groans excessive that lure you on to the ground and right into a trance.

Dance Tip: Arms huge, eyes closed, head again in ecstasy, whirl round till you fall over. BM

Donna Summer season – I Really feel Love on MUZU.TV.

• 9: Cannot Get You Out of My Head Kylie Minogue (2001)

Kylie’s first monster hit in aeons was dancefloor dynamite, that includes a ridiculously contagious “la-la-la” singalong. For additional kudos, attempt the semi-official bootleg mash-up with New Order basic Blue Monday.

Dance Tip: Lower basic disco shapes, however often halt unexpectedly as if “doing the robotic”. THG

• 8: Good Instances, Stylish (1979)

Nile Rodgers’s bassline underpins a joyous anthem with phrases that sum up the Zen-like knowledge dancing can obtain: “You’ll be able to’t change your destiny/So let’s lower a rug/A bit jive and jitterbug.”

Dance Tip: A bunch circle with handclaps and even pointing within the air for the refrain. BM

READ: High 65 joyful songs

• 7: Born Slippy, Underworld (1996)

Nineties membership basic which opens with euphoric synth chords that may ship previous ravers right into a Pavlovian frenzy. The remaining is unashamed techno-hammering that includes frontman Karl Hyde’s stream-of-consciousness “lager-lager” burbling.

Dance Tip: Face pursed as if trapped on the waltzers, arms reaching for sky, palms upwards. THG

• 6: Groove Is Within the Coronary heart, Deee-Lite (1990)

An irresistible invitation to dancefloor abandon, created with slightly assist from a alternative Herbie Hancock pattern, a deft guest-rap from Q-Tip, two of James Brown’s most interesting horn-players, funk-legend Bootsy Collins on backing vocals, and a tune which manages to be greater than the sum of its elements.

Dance Tip: You’re a silk scarf on a washing-line. A gust of wind catches you to type the letter “S”. BT

• 5: Candy Caroline, Neil Diamond (1971)

Diamond lately revealed that the topic of his finest recognized tune was Caroline Kennedy Schlossberg, JFK’s daughter. She’ll probably be happy to know that numerous inebriated Brits have bellowed out his craving phrases to her at wedding ceremony events down the years.

Dance Tip: Staggering, hugging, shouting (anybody can do it!). AP

Neil Diamond

• 4: He is the Best Dancer, Sister Sledge (1979)

The signature tune of most males in Britain as soon as they’ve had a number of, that is arguably the best hour of US producers Nile Rodgers and Bernard Edwards. Their lush strings and nagging guitar licks are there after all, nevertheless it’s the at-the-club narrative that makes this one stand out.

Dance Tip: Males – discover a mirror; girls – discover a seat. TH

• 3: Evening Fever, The Bee Gees (1977)

The Bee Gees’ helium-voiced hustle by means of the delights of nocturnal get together exercise was the centrepiece of Saturday Evening Fever, the movie that unleashed New York’s disco inferno on a grateful world. And all this at a tempo that hardly raises a sweat.

Dance Tip: The John Travolta superglide. NM

Bee Gees – Evening Fever (Video) on MUZU.TV.

• 2: Dancing within the Road Martha Reeves & the Vandellas (1964)

This Motown basic is among the most irresistible dancefloor fillers ever, a brassy blast of rhythm and pleasure, an instantaneous international road get together to which everybody – even the badly dressed (“It does not matter what you put on, simply so long as you might be there”) – is invited.

Dance Tip: Imitate Martha & the Vandellas’ super-cool finger-clicking dance. DC

• 1: Loopy in Love, Beyoncé (with Jay Z) (2003)

The genius of Loopy in Love is that it combines one of the best dance rhythms from all the nice a long time: there’s the warmth of Sixties Motown, the grit of Seventies funk and disco, the jiggle of Eighties go-go, the stream of Nineties rap, topped off by the futuristic shimmer of noughties R&B. And all of it provides as much as an explosive three and a half minutes – with among the urgency coming from the truth that Beyoncé Knowles and producer Wealthy Harrison virtually put it collectively in a day. It kicks in with a thrillingly climactic horn pattern from the Chi-Lites’ Are You My Girl whereas Jay Z utters exclamations of incomprehension on the charms of his bride-to-be. Even when the monitor pulls again to a percussive cowbell-driven samba and stuttering “uh-oh”s, it by no means truly lets up its grip in your wobbly elements.

Dance Tip: In the event you’ve acquired it, shake it. BM/NM


Contributors: DC: David Cheal; THG: Thomas H Inexperienced; TH: Tom Horan; NM: Neil McCormick; BM: Bernadette McNulty; AP: Andrew Perry; BT: Ben Thompson; GDW: Gervase de Wilde

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