richard rodgers egot

Richard Rodgers, composer (1902-1979)  Emmy: Excellent Achievement in Authentic Music Composed, “Winston Churchill: The Valiant Years” (1962)  Grammy: Greatest Present Album, “The Sound of Music” (1960); Greatest Authentic Forged Present Album, “No Strings” (1962)  Oscar: Greatest Tune, “It May As Nicely Be Spring” from “State Truthful” (1945)  Tony: three for “South Pacific” (1950); one every for “The King and I” (1952), “The Sound of Music” (1960) and “No Strings” (1962)

helen hayes egot

Helen Hayes, actress (1900 – 1993)  Emmy: Greatest Actress, “Schlitz Playhouse of Stars: Not a Probability” (1953)  Grammy: Greatest Spoken Phrase Recording, “Nice American Paperwork” (1977)  Oscar: Greatest Actress, “The Sin of Madelon Claudet (1932); Greatest Supporting Actress, “Airport” (1970)  Tony: Greatest Actress in a Drama, “Blissful Birthday” (1947); Greatest Actress in a Drama, “Time Remembered” (1958)
 

Rita Moreno, Jane the Virgin

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Rita Moreno, actress (1931 -)  Emmy: Supporting Actress, Selection or Music, “The Muppet Present” (1977); Lead Actress for Single Look in a Comedy or Drama, “The Rockford Information” (1978)  Grammy: Greatest Recording for Kids, “The Electrical Compan” (1972)  Oscar: Greatest Supporting Actress, “West Aspect Story” (1961)  Tony: Greatest Supporting Actress in a Play, “The Ritz” (1975)

john gielgud egot

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John Gielgud, actor (1904 – 2000)  Emmy: Greatest Actor in a Miniseries or Particular, “Summer time’s Lease (1991)  Grammy: Greatest Spoken World Album, “Ages of Man” (1979)  Oscar: Greatest Supporting Actor, “Arthur” (1981)  Tony: Excellent International Firm, “The Significance of Being Earnest” (1948); Greatest Director of a Drama, “Massive Fish, Little Fish” (1961)

audrey hepburn egot

Audrey Hepburn, actress (1929 – 1993)  Emmy: Greatest Particular person Achievement, Informational Programming, “Gardens of the World With Audrey Hepburn” (1993)  Grammy: Greatest Spoken Phrase Album for Kids, “Audrey Hepburn’s Enchanted Tales” (1994)  Oscar: Greatest Actress, “Roman Vacation” (1953)  Tony: Greatest Actress in a Drama, “Ondine” (1954)

marvin hamlisch egot

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Marvin Hamlisch, composer (1944–2012)  Emmy: 4 awards, two for work on “Barbra: The Live performance” (1995) and one every for “AFI’s 100 Years… 100 Films” (1999) and “Timeless: Stay in Live performance” (2001)  Grammy: 4 awards in 1974, together with Greatest New Artist, Tune of the Yr (“The Means We Had been”), Greatest Album of the Authentic Rating (“The Means We Had been”) and Greatest Pop Instrumental Efficiency (“The Entertainer”)  Oscar: Greatest Authentic Dramatic Rating and Greatest Tune, “The Means We Had been” (1973) and Greatest Tailored Rating, “The Sting” (1973)  Tony: Greatest Musical Rating, “A Refrain Line” (1976)

jonathan tunick egot

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Jonathan Tunick, music director and composer (1938 – )  Emmy: Music Course, “Night time of 100 Stars” (1982)  Grammy: Greatest Instrumental Association Accompanying Vocals, Cleo Laine’s “No One Is Alone” (1988)  Oscar: Greatest Tailored Rating, “A Little Night time Music” (1977)  Tony: Greatest Orchestrations, “Titanic” (1977)

Mel Brooks egot

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Mel Brooks, performer, author and director (1926 – )  Emmy: Greatest Writing in Selection, “The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Particular” (1967); three awards for Greatest Visitor Actor in a Comedy, “Mad About You” (1997-99)  Grammy: Greatest Spoken Comedy Album, “The 2000 Yr Previous Man within the Yr 2000” (1998); Greatest Lengthy-Kind Music Video, “Recording ‘The Producers’” (2002); Greatest Musical Present Album, “The Producers” (2002)  Oscar: Greatest Authentic Screenplay, “The Producers” (1968)  Tony: Greatest Musical, Authentic Rating and E-book of a Musical, “The Producers” (2001)

mike nichols egot

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Mike Nichols, performer, director and producer (1931 – 2014)  Emmy: Greatest Director of Miniseries, Film or Particular, “Wit” (2001); Greatest Made for Tv Film, “Wit” (2001); Greatest Directing of Miniseries, Film or Particular, “Angels in America” (2004); Greatest Miniseries, “Angels in America” (2004)  Grammy: Greatest Comedy Efficiency, “An Night With Mike Nichols and Elaine Might” (1961)  Oscar: Greatest Director, “The Graduate” (1967)  Tony: Greatest Director of a Play, “Barefoot within the Park” (1964), “Luv” and “The Odd Couple” (1965), “Plaza Suite” (1968), “The Prisoner of Second Avenue” (1972), “The Actual Factor” (1984), “Dying of a Salesman” (2012); Greatest Musical, “Annie” (1977); Greatest Play, “The Actual Factor” (1984); Greatest Director of a Musical, “Monty Python’s Spamalot” (2005)

whoopi goldberg

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Whoopi Goldberg, performer and producer (1955 – )Emmy: Greatest Particular Class Particular, “Past Tara: The Extraordinary Lifetime of Hattie McDaniel” (2002); Greatest Speak Present Host, “The View” (2009)  Grammy: Greatest Comedy Recording, “Whoopi Goldberg: Authentic Broadway Present Recording” (1985)  Oscar: Greatest Supporting Actress, “Ghost” (1990)  Tony: Greatest Musical (producing), “Completely Fashionable Millie” (2002)
 

Scott Rudin egot

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Scott Rudin, producer (1958 – )  Emmy: Greatest Kids’s Program, “He Makes Me Really feel Like Dancin’” (1984)  Grammy: Greatest Musical Theater Album, “The E-book of Mormon” (2012)  Oscar: Greatest Image, “No Nation for Previous Males” (2007)Tony: 12 awards, for producing musicals “Ardour” (1994) and “The E-book of Mormon” (2012) and the performs “Copenhagen” (2000), “Doubt” (2005), “The Historical past Boys” (2006), “God of Carnage” (2009), “Fences” (2010), “Dying of a Salesman” (2012), “The Curious Incident of the Canine within the Night time-Time” (2015), “Skylight” (2015), “The People” (2016) and “A View From the Bridge” (2016)
 

robert lopez

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Robert Lopez, composer (1975 – )  Emmy: Greatest Music Course and Composition, “Marvel Pets” (2008, 2010)  Grammy: Greatest Musical Theater Album, “The E-book of Mormon” (2012); Greatest Compilation Soundtrack, “Frozen” (2015), Greatest Tune for Visible Media, “Let It Go” from “Frozen” (2015)  Oscar: Greatest Authentic Tune, “Let It Go” from “Frozen” (2014)  Tony: Greatest Rating, “Avenue Q” (2004); Greatest Rating and Greatest E-book of a Musical, “The E-book of Mormon” (2011)

John Legend, Jesus Christ Superstar Live in Concert

John Legend, songwriter and producer (1978-) 
Emmy: Excellent Stay Selection Particular, “Jesus Christ Famous person Stay in Live performance”
Grammy: Greatest New Artist (2005); Greatest R&B Album, “Get Lifted” (2005); Greatest R&B Vocal, “Extraordinary Folks” (2005); Greatest Male R&B Vocal, “Heaven” (2006); Greatest R&B Duo or Group, “Household Affair” (2006); Greatest R&B Vocal or Group, “Keep With Me by the Sea” (2008); Greatest R&B Album, “Wake Up!” (2010); Greatest R&B Tune, “Shine” (2010); Greatest R&B Vocal, “Grasp On in There” (2010); Greatest Tune Written for Visible Medium, “Glory” (2015) 
Oscar: Greatest Authentic Tune, “Glory” from “Selma (2014) 
Tony: Producer of Greatest Play Revival, “August Wilson’s Jitney” (2017)

andrew lloyd-webber

Andrew Lloyd Webber, composer and producer (1948-) 
Emmy: Excellent Stay Selection Particular, “Jesus Christ Famous person Stay in Live performance” 
Grammy: Greatest Forged Album, “Evita” (1980); Greatest Forged Album, “Cats” (1983); Greatest Modern Composition, “Lloyd Webber: Requiem” (1985) 
Oscar: Greatest Authentic Tune, “You Should Love Me” from “Evita” (1996) 
Tony: Greatest Rating, “Evita” (1980); Greatest Rating, “Cats” (1983); Greatest Rating, “Sundown Boulevard” (1995)

tim rice

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Tim Rice, lyricist and producer (1944-) 
Emmy: Excellent Stay Selection Particular, “Jesus Christ Famous person Stay in Live performance”
Grammy: Greatest Forged Album, “Evita” (1980); Tune of the Yr and Tune for Movie or TV, “A Complete New World” (1993); Greatest Album for Kids, “Aladdin” (1993); Greatest Forged Album, “Aida” (2000) 
Oscar: Greatest Authentic Tune, “A Complete New World” from “Aladdin” (1992); “Can You Really feel the Love Tonight” from “The Lion King” (1994); “You Should Love Me” from “Evita” (1996) 
Tony: Greatest E-book and Greatest Rating, “Evita” (1980); Greatest Rating, “Aida” (2000)

alan menken

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Alan Menken, composer (1949-) 
Emmy: Authentic Tune in a Kids’s, Younger Grownup or Animated Program, “Rapunzel’s Tangled Adventures.”
Grammy: Greatest Recording for Kids and Tune for TV or Movie, “The Little Mermaid” (1990); Greatest Recording for Kids, Tune for TV or Movie, Instrumental for TV or Movie, “Magnificence and the Beast” (1992); Tune of the Yr, “A Complete New World,” Greatest Recording for Kids, Tune for TV or Movie, Instrumental for TV or Movie, “Aladdin” (1993); Greatest Tune for TV or Movie, “Colours of the Wind” (1995); Greatest Tune for Visible Medium, “I See the Gentle” (2011) 
Oscar: Greatest Rating and Tune, “The Little Mermaid” (1989); Greatest Rating and Tune, “Magnificence and the Beast” (1991); Greatest Rating and Tune, “Aladdin” (1992); Greatest Rating and Tune, “Pocahontas” (1995) 
Tony: Greatest Rating, “Newsies” (2012)  





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