This week within the Basement: alt/psych legend Julian Cope has nonetheless obtained it on his 35th solo album; we misplaced DJ/producer Andrew Weatherall this week however he left us with a killer new single; Olympia, WA duo Daisies set indiepop tunes to sliced-up drum-n-bass beats; the late Ed Ackerson’s remaining venture, Capricorn One; Spinning Coin make jangly shambolic indiepop within the nice Scottish custom; and Lithuanian darkwave courtesy of Solo Ansamblis.
Want extra new album evaluations? Andrew appears at Moses Sumney, Lee Ranaldo, Grimes and extra in Notable Releases. Different data I favored this week however am not writing about: King Krule’s Man Alive!, Peggy Sue’s Vices, Guided By Voices’ Give up Your Poppy Area, and you might solely ever hearken to Jan St. Werner’s Molocular Meditation (that includes the late Mark E. Smith) as soon as, but it surely’s price that one spin.
Additionally not reviewed right here is Afghan Whigs frontman Greg Dulli’s superb solo debut, Random Need, which I like to recommend testing, together with my interview with him from earlier this week.
Anyway, this week’s Indie Basement waits under…
Julian Cope – Self Civil Warfare
The Archdrude goals to “signify the sheer quantity of discontent in folks’s lives,” plus songs about Fb and “sippin psilocybin by the facet of the river” on this 73 minute psych opus.
At 62, onetime Teardrop Explodes frontman Julian Cope stays an insanely prolific artist and with a handful of various ongoing collection and most of his latest output not on digital providers, I’ll admit it’s exhausting to maintain up. However the effort is commonly price it in relation to the Archdrude, as followers name him, as even his extra esoteric releases — like final 12 months’s John Stability Enters Valhalla, a tribute to the late Coil frontman — are fairly fascinating. Julian simply launched Self Civil Warfare, the closest factor you might name a correct studio report he’s made since 2013’s Revolutionary Suicide, and is seemingly his 35th album (!). It’s additionally the primary launch in his ‘Our Troubled Occasions’ collection, “a superb non permanent refuge from our each day bombardment by media luvvies and fuckhead world leaders who take us all for idiots.” Regardless of his not undeserved fame for being “on the market,” Cope at all times appears to have his finger on the zeitgeist.
Self Civil Warfare is, at 13 tracks and 73 minutes, rather a lot. (“I attempted to signify the sheer quantity of discontent in folks’s lives,” Cope advised the BBC’s Marc Radcliffe.) There are cosmic psych jams, krautrock rhythms, mellotrons, tacky synths, sound results, mushroom tea people, sea shanties, ren-fair ditties about norse gods, the horrible issues we’re doing to our planet each minute, plus anti-technology parables (“Your Fb, My Laptop computer”), and no less than a pair songs about medicine. (It could not be that onerous to argue that all Julian Cope songs are about medicine.) Nevertheless it’s all fairly charming, with nice wit, empathy and no scarcity of melody, both. Julian Cope’s nicely of tunes by no means appears to run dry and he’s nonetheless obtained nice pop songs in him just like the organ-driven “Billy.” In the meantime, his distinct, commanding voice stays in nice kind and is able to making traces like “Any person hacked my Paypal account!” or “I’ll snort each powder in your purse” sound regal.
Self Civil Warfare just isn’t on streaming providers, however you’ll be able to try “Berlin Facelift” (in regards to the VW emissions scandal) and “Immortal” (about doing Cope-ious quantities of medicine), through YouTube:
Andrew Weatherall – “Unknown Plunderer” 12″
We misplaced the good Andrew Weatherall this week and this model new single exhibits he was nonetheless on the prime of his recreation.
DJ and producer Andrew Weatherall, who unexpectedly died on Monday, had a big impact on in style music during the last 30 years. Starting with Pleased Mondays and Primal Scream, Weatherall actually understood the best way to join rock, dance music and dub in a manner that felt natural, thrilling, and new. Whereas his heyday was the ’90s, he continued to provide, remix, DJ and stay a inventive power whereas rejecting the celebrity DJ route (not like Paul Oakenfold with whom he labored on Pleased Mondays’ “Hallelujah”). Within the final couple years his remix credit included tracks by Peggy Gou, Tracey Thorn, Confidence Man, Noel Gallagher and, very not too long ago, he produced Jah Wobble & Mark Stewart’s anti-Brexit single.
Weatherall additionally made music himself, as a part of Sabres of Paradise, Two Lone Swordsmen, The Asphodells (to call three) and underneath his personal title. Unhappy timing, however this new 12″ launched in the present day exhibits Weatherall was nonetheless on the prime of his recreation. Opening with satellite tv for pc pings and embellished with sound results, “Unknown Plunderer” sounds beamed in from outer area, providing up a mellow, funky groove with numerous headroom. That is Weatherall’s candy spot — chill however danceable — that’s he’s been working in since Primal Scream’s “Loaded.” Amid the cosmic wooshes there’s the type of “wub wub” deep bass you’ll be able to really feel in your backbone and a really cool guitar riff woven all through by Trip’s Andy Bell. The b-side, “Finish Occasions Sound,” is even dubbier with extra of Bell’s guitar and echoey melodica.
There are a few cool remixes as nicely: the Radioactive Man remix drops the monitor down an digital nicely that’s icy and claustrophobic, whereas the Manfredas Remix is smooth and extra distinctly clubby.
Andrew, you may be missed and I hope there are nonetheless just a few extra tracks like this one nonetheless to be launched.
And whereas we’re at it, right here’s one in every of my favourite Weatherall remixes, his cool and lethal ‘A Combine In Two Halves’ model of Saint Etienne’s “Solely Love Can Break Your Coronary heart”:
Daisies – Cherries EP
Pattern-heavy Olympia, WA duo are again with with a 4 new tracks of dubby, danceable sunshine pop.
I really feel pretty sure that Olympia, WA duo Daisies have been followers of Andrew Weatherall. The group, which incorporates Chris McDonnell (of CCFX and TransFX) and vocalist Valerie Warren, remembers that interval within the early ’90s when indie teams found dub, dance music and sampling. (Saint Etienne and One Dove come to thoughts.) Daisies put out two data in 2019 — What Are You Ready For? and a second, merely titled 2 — that skirted the darkish, heat outer reaches of journey hop, however single “Anybody’s Fashion” was a blast of sunshine. The brand new Cherries EP is extra in that tune’s mode, particularly single “Everyone’s Shifting to London” with its heat harmonies and a ’60s psych guitar lead. The unifying sound on these 4 songs is the sliced-up Roni Measurement-style breakbeats, which sound particularly cool on the kaleidoscopic, blissed-out and reverby “Dancing on the Display screen.” There’s additionally the the smooth and artificial “Excellent Imaginative and prescient” and “Out of the Blu” which owes greater than just a little to Tough. It’s all filtered by way of a distinctly overcast Pacific Northwest fashion that also manages to seek out the rainbow after each thunderstorm.
Capricorn One – Capricorn One
The late Ed Ackerson’s remaining venture is a melodic, psychedelic “area rock journey”
Minneapolis music, producer and studio proprietor Ed Ackerson, who died again in October, had been in lots of bands through the years — The 27 Varied, Polara, BNLX — however the venture he was engaged on earlier than his dying was Capricorn One. Written, carried out and recorded fully by Ed, Capricorn One weaves collectively his many loves: ’60s psych and storage, Britpop, krautrock, spacerock, shoegaze and different tripped-out sounds. The album simply got here out as a joint launch through Ed’s Susstones label and Anton Newcombe’s A Recordings and in case you dig any of the beforehand descriptors from this paragraph, Capricorn One is a welcome remaining present from one of many good ones. Hear under.
The Capricorn One report got here out coinciding with a celebration of Ed and profit for his household that occurred final weekend at Minneapolis’ First Ave which featured performances from The Jayhawks, Kraig Johnson & The Poe-gram, Mark Mallman, Two Harbors, and two of Ed’s band’s, BNLX and his ’90s-era poppy shoegaze band Polara. Polara’s 1995 debut album simply obtained its first-ever vinyl launch in celebration of Ed’s life and it’s nicely price choosing up too.
Spinning Coin – Hyacinth
Scottish indiepop made the quaint manner, with noisy jangly guitars and wonky singing.
Glasgow’s Spinning Coin are younger however the music they make may’ve come out of town’s early-’80s scene that sprung up between Orange Juice’s sound of Younger Scotland and the noisy revolution of the Jesus & Mary Chain’s “Upside Down.” In truth, they’re signed to Geographic, the Domino imprint run by The Pastels’ Stephen McRobbie and so they owe an enormous sonic debt to his band’s sound and DIY spirit. (Further native cred: their glorious 2017 debut album, Permo, was produced by Orange Juice’s Edwyn Collins.) Jangly guitars which might be principally in tune, singing that’s extra involved with the sensation than hitting the notes — it’s a sound anybody can do however just a few truly do nicely. Spinning Coin do it very nicely.
Hyacinth is Spinning Coin’s second album and was created underneath some duress, with half the band transferring to Berlin and the report completed within the center floor of western France. New bassist Rachel Taylor brings a welcome voice to the combo which in any other case is cut up between singer/guitarists Jack Mellin (whose songs are typically extra rambunctious) and Sean Armstrong (who writes strummier songs and sings in a shaky register). Her jazzy contribution, “Black Cat,” is without doubt one of the album’s highlights. I’m a fan of the songs that sound probably the most collaborative, such because the splendidly romantic “Laughing,” the place all three voices take part warbly concord. It’s these moments the place Spinning Coin really feel heat and lived in, like classic cardigan jumpers you affiliate with this sound and really feel simply as proper.
Solo Ansamblis – OLOS
Superior post-punk/minimal wave from Lithuania
Very similar to shambolic indiepop, gothy minimal wave is one other style that’s straightforward to duplicate however extraordinarily troublesome to do nicely, particularly with a sound that doesn’t need to progress past 1981. Lithuania’s Solo Ansamblis do it very very nicely, pulling from a wide range of black-clad, early-’80s post-punk subgenres. There’s a inflexible, robotic high quality to their music, however they combine their synthesizers and drum machines with conventional rock instrumentation, giving their sound a way more visceral, human impression. It’s an interesting sound; danceable, melodic, gritty, just a little sleazy… and their use of their native tongue completes the vibe. They remind me in all the suitable methods of Montreal’s Automelodi, in that they know precisely how these items ought to sound, however don’t neglect to put in writing a catchy tune. You’ll be able to hear what I imply on Solo Ansamblis’ second album, OLOS which is out in the present day:
Searching for extra? Browse the Indie Basement archives.