11 September 2017, 17:35

berio sequenza scores

We’ve requested musicians, we’ve scoured the web and our music library – these are the toughest items of classical music on the market.

Kaikhosru Shapurji Sorabji – Opus clavicembalisticum

Why not kick off with an impossible-to-pronounce piece? Right here’s a blistering efficiency of this completely bonkers piano piece – not for the faint-hearted:

 

Alexander Scriabin – Mysterium

So yeah, it’s an orchestral evocation of the top of the world that might probably final for as much as every week, and was meant to be carried out within the foothills of the Himalayas. Right here’s what Scriabin himself stated about it:

“There won’t be a single spectator. All might be contributors. The work requires particular individuals, particular artists and a very new tradition. The forged of performers contains an orchestra, a big combined choir, an instrument with visible results, dancers, a procession, incense, and rhythmic textural articulation. The cathedral wherein it can happen won’t be of 1 single kind of stone however will regularly change with the ambiance and movement of the Mysterium. This might be performed with the help of mists and lights, which can modify the architectural contours.”

Certain.

 

Franz Liszt – La Campanella

It sounds harmless sufficient in the beginning, however give it a minute… This piece has been haunting encores for hundreds of years.

 

Giovanni Bottesini – Double Bass Concerto No. 2

There was a motive Bottesini was referred to as the Paganini of the double bass. For additional problem factors, be true to the interval and play it on three strings.

 

J.S. Bach – Chaconne in D

Absolutely the daddy of violin showpieces. SO uncovered.

 

Luciano Berio – Sequenzas

OK, it’s exhausting to slender these all the way down to only one – however Berio’s experimental Sequenzas have been really designed to push the boundaries of what could be potential with any given instrument. Strive the soprano one for dimension:

 

Conlon Nancarrow – Research for Participant Piano

Think about writing a piano piece so insanely difficult that you realize a human wouldn’t be capable to deal with it. That’s what Conlon Nancarrow did, a lot to everybody’s consternation, and enlisted the assistance of a trusty participant piano to ensure it was lastly heard:

 

Heinrich Ernst – Variations on The Final Rose of Summer season

This transcription of Thomas Moore’s poem is completely bewildering – the strategies required will not be solely on the very extremes of the violinist’s capabilities, but additionally required similtaneously each other. See Hilary Hahn nail it:



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