SoundCloud is in bother. Earlier this month, the streaming platform laid off almost half its workforce, positioning the transfer as what it must do to stay “unbiased.” Since then, there have been studies that the corporate doesn’t even have the funds for to outlive the subsequent two months, even after the mass layoffs. Publications like Fortune are already writing obituaries, pondering the place issues went unsuitable for the corporate. It’s exhausting to consider that SoundCloud will simply straight-up die this 12 months; I’ve a neater time imagining a cash-rich streaming service or a social community swooping in simply earlier than the clock runs out and shopping for it for relative pocket change. Nonetheless, the timing of this implosion is a tragic irony. SoundCloud may be financially destroyed, however it’s by no means been a stronger cultural drive than it’s proper now, particularly inside rap. Nearly each rapper who’s risen to stardom up to now five-or-so years has finished it largely via SoundCloud, a service that works as an environment friendly discovery engine and principally removes the corporate-gatekeeper techniques that make providers like Spotify and Apple Music a lot much less thrilling. (A type of ascendent rap stars, Likelihood The Rapper, is seemingly engaged on the SoundCloud drawback, although God solely is aware of what which means.) And these days, SoundCloud has turn into one thing apart from a automobile. It’s turn into an aesthetic.
“SoundCloud rapper” appears to be like like a generic time period; it may describe nearly anybody who’s solely gotten to the “throwing shit up on-line” profession stage. However in 2017, SoundCloud rap turned a style, a shorthand for describing the anarchic lo-fi drug-rap children on the market who’re confounding older children like me. The tag may apply to stars-in-waiting like Chicago’s Well-known Dex or Houston’s Ugly God, energetic and cartoonish and self-effacing younger artists who love anime and mosh pits and Xanax. It completely applies to Lil Peep, the 20-year-old tatted-up white child from Lengthy Island whose entire fashion is sad-bastard mumble-whine singing over entice beats and who’s actually method nearer to mid-’00s MySpace emo than to any technology of rap music. The time period additionally suits $UICIDEBOY$, the scraggly New Orleans duo whose sound is sort of a skate-rat tackle early Bone Thugs.
However the entire SoundCloud rap tag in all probability greatest applies to a rangy mob of South Florida rap children, raspy and forbidding stylistic descendants of SpaceGhostPurrp and Denzel Curry. These children are likely to have face tattoos and dyed hair and dazed countenances and horrible rap names: Smokepurrp, Pouya, Ski Masks The Stoop God, Ghostemane, Wifisfuneral. Probably the most distinguished of them is XXXtentacion, the risible determine who went to jail for beating up his pregnant girlfriend and who appears to incite huge brawls in any respect his exhibits. He’s the one one among these rappers with an precise Billboard-certified hit (“Look At Me”), and he’s the one one who confirmed up on the XXL Freshmen cowl final month, although actually any of them may’ve justifiably been on there. They’re all method extra common than you may count on, with YouTube and SoundCloud numbers nicely into the thousands and thousands. (Jon Caramanica’s current New York Instances survey of the phenomenon is a good primer.) However for me, essentially the most fascinating artist to come back out of this wave is a 16-year-old Florida child named Lil Pump.
OK. So. Lil Pump. The place to start. Lil Pump is like somebody fused Chief Keef and Lil B within the transporter pods from The Fly, then satisfied the ensuing fusion-monster to behave like Riff Raff and to file all his tracks on a built-in Macbook mic. He’s just like the Alien character from Spring Breakers, besides if he was youthful than the precise Spring Breakers. He raps nearly completely in catchphrases. His songs are nearly jarringly easy, all of them sound nearly precisely alike, and so they’re all two minutes lengthy; these three issues are the one issues he has in widespread with the Ramones. That New York Instances story begins with an anecdote about Lil Pump enjoying a present in Portland, getting mad at a child within the crowd, kicking the child within the head, after which scrambling for the exit when the entire membership turns into a kind of Western-movie everyone-fighting-everyone barfights. His largest track is “D Rose,” which is simply barely a track and which, as I’m scripting this, has 24 million performs on SoundCloud and 32 million extra on YouTube. He doesn’t actually have a mixtape out but. He nonetheless has braces.
Should you, like me, had been born within the ’70s — and even in the event you had been born earlier than, say, the second Clinton administration — you’re alleged to gaze upon Lil Pump with abject horror. To old-head varieties, he needs to be a Lovecraftian creature of the deep, his mere existence throwing our actuality into such disarray that we go insane. In comparison with him, Lil Uzi Vert and 21 Savage are old-school rappers. However I don’t know, I type of like Lil Pump. He’s so sensible, and he’s so dumb. One early track, “Take,” is 101 seconds lengthy, and it contains the phrase “take a nigga bitch to the film” repeated about 92 instances. His concept of rapping is to only chant the identical issues again and again, with minor variations (“take a nigga bitch to the WingStop.”) The songs sound like absolute dogshit, totally drowning in digital distortion, as if no one cared sufficient to provide them even the tiniest mastering job. However in the fitting circumstances — whenever you’re barely drunk, when it’s too scorching outdoors, whenever you’re feeling fairly dumb your self — they hit like anthems. Lil Pump says his mixtape is popping out subsequent month, and I kind of hope it’s 15 minutes lengthy and borderline unlistenable as a result of that might imply that he’s protecting his persona intact. No one had even heard of Lil Pump earlier than this 12 months. He’s a creature of the SoundCloud period. He may’ve solely ever existed on SoundCloud.
For generations, there’s been a complete rap-gatekeeper institution that’s existed partially to maintain unserious, unskilled children out. Rising rappers have wanted cosigns from institution figures or label execs. On the very least, they’ve wanted to organically develop fanbases by shifting mixtapes out of their trunks, or, later, on DatPuff. Lil Pump hasn’t needed to do something like that. He’s exploded out of nowhere in mere months, and I’d argue that the rap panorama is healthier with a snotty little punk like him round to maintain issues thrilling and unsettled. SoundCloud may’ve made 100 dangerous enterprise choices, however that web site has nonetheless allowed figures like Lil Pump to bubble up. They’ll in all probability all be wonderful with out SoundCloud, if it involves that. (I hope they transfer to Bandcamp, the place they’ll at the least promote some merch and make a little bit cash.) However SoundCloud nonetheless formed this panorama. And whether or not SoundCloud disappears or turns into half of a bigger conglomerate, it gained’t be the identical anymore. SoundCloud has made the music world a extra enjoyable, anarchic place. Possibly we gained’t respect it till after it’s gone.
1. Mobb Deep – “Attempt My Hand”
What a pleasure to listen to one final craggy, dirty, intense Mobb Deep track, mournful Alchemist beat and all. Earlier than we misplaced Prodigy, I’m unsure all of us appreciated simply how gracefully he was growing old. This track serves as proof that he nonetheless had nice work left in him.
2. Aminé – “Wedding ceremony Crashers” (Feat. Offset)
A euphoric fuck-you breakup track with a music-box melody sunny and irrepressible sufficient to work as ice-cream truck music. When was the final time you heard somebody want a lifetime of mediocrity upon an ex whereas sounding this good-natured?
3. Puff Daddy – “Watcha Gon’ Do?” (Feat. Rick Ross & The Infamous B.I.G.)
That traditional gleaming expensive-sample ’90s fashion of Puff Daddy track ought to not work in 2017, and but right here’s this huge cinematic escapist machine, and it simply makes me wish to purchase shit I can’t afford. One other factor that also works in 2017: an previous Biggie verse, this one repurposed from the Lox’s “You’ll See,” which feels prefer it nonetheless hasn’t aged a day.
4. Conway – “Moroccan Waters” (Feat. Meyhem Lauren)
Is that this a golden age for underground mournful-funny-tough-guy rap music? As a result of generally it feels prefer it. Conway: “I’m Peyton Manning, nonetheless spending indie cash.” Meyhem Lauren: “Eat a lot octopus, about to develop one other arm.”
5. Nessly – “Popstar” (Feat. AJ Tracey & Blackbear)
See, that is what I’m speaking about. An Atlanta SoundCloud rap star indicators with a serious label and instantly drops a gurling, head-blown banger with two different SoundCloud guys, one from London and one from Florida. I’d like to see a few of these guys blow up large with out shedding no matter underground-insurgent enchantment they began out with.
IT WAS ALL GOOD JUST A WEEK AGO
Bodak Yellow’s affect. She did not must say a phrase. 👏🏾 pic.twitter.com/pyJkCvu9tx
— keem (@keemsofamous) July 22, 2017