On this article I revisit the query of why folks prefer to take heed to unhappy music. If music can induce real disappointment in listeners, why would we intentionally hunt down such unfavorable experiences? Drawing from work in each the philosophy and psychology of music, in addition to work within the philosophy and science of have an effect on, I argue to shift the main focus of the query to music‐induced moods, not feelings. This reframes the talk however doesn’t dissolve the puzzle. To know what’s interesting concerning the affective expertise of listening to unhappy music, I recommend we have in mind the distinctive options of music‐induced unhappy temper. I argue that unhappy temper and a sure kind of centered music listening are mutually reinforcing in ways in which differ from different temper/music interactions. Unhappy temper and unhappy music are, in a way, made for one another.



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