Releasing materials throughout a pandemic is clearly not a super scenario for any musician, however that’s very true for younger artists who’re simply beginning to achieve profession momentum. However alt-pop singer and songwriter Olivia Lunny isn’t letting this case dampen her enthusiasm. She’s cheerful as she discusses her newest singles – “Consider Me,” which was launched on April 17, and “Bedsheets,” which is due out on Could 22 (pre-save).
“Actually, why not?” Lunny says of releasing singles throughout this troublesome time. “Individuals are sitting at residence and hopefully have extra of an consideration span for music.” She’s calling from Winnipeg, Manitoba, the place she grew up (and is now using out the COVID-19 pandemic), although she usually divides her time between that metropolis and Toronto.
Given Lunny’s historical past, it’s no shock that she’s displaying such undaunted willpower to get her work out into the world. She first grew to become well-known in Canada when she was solely 17 years previous, when her 2018 self-titled EP earned her a Western Canadian Music Award nomination for “Pop Artist of the Yr.” Subsequent, she carried out on the favored Canadian expertise present The Launch – which led her to report a single, “I Bought You,” that has been streamed greater than 1,000,000 occasions up to now. Now, “Consider Me” and “Bedsheets” appear poised for a similar kind of success, pandemic be damned.
Lunny’s outstanding musical journey started when she was 12 years previous, when her father gave her some guitar classes. “I keep in mind he taught me “Goals” by Fleetwood Mac, which continues to be one among my favourite songs to play,” she says, including that she additionally loved masking songs by Taylor Swift and Norah Jones.
Quickly, enjoying different folks’s songs wasn’t satisfying sufficient for Lunny. “I ultimately began buzzing my very own melodies over the chords. A 12 months or two later, after I was 13 or 14, that’s after I actually began attempting to write down full songs.”
Lunny, blessed with a heat soprano, tried taking voice classes to additional her expertise, however rapidly give up them: “I discovered that it was nearly making me lose the factor in my voice that really makes me distinctive,” she says (however she does work with a vocal coach now “simply to make it possible for I’m singing correctly and never straining my voice”).
By highschool, “Music actually felt prefer it was changing into greater than only a interest,” Lunny says. “I knew I actually didn’t wish to must go to school or accept one thing.” Whereas her aim was clear, she realized that she was taking place a troublesome highway. “Clearly, it’s not a simple route. However I feel generally it’s higher to go all out and attempt to pursue your ardour than to accept one thing and all the time kick your self for not attempting.”
Lunny, already enjoying common gigs in Winnipeg, knew that she’d must study extra than simply efficiency expertise if she was going to reach the music enterprise. “I began wanting into musicians – and looking out past them onstage. I used to be like, ‘How do these folks make a dwelling doing this?’”
Ultimately, Lunny determined that she must transfer to Toronto to pursue a music profession. Not solely was it a a lot greater metropolis, with extra alternatives, however it additionally was extra geared towards the pop music that she was more and more drawn to writing. It additionally introduced her into contact with different pop-focused songwriters.
“I began co-writing two years in the past, which actually was a game-changer for me,” Lunny says, explaining that when writing with others, “You find yourself with a extremely cool thought or take a course you by no means would have taken [by] your self.”
“Consider Me” and “Bedsheets” present the outcomes of the collaborative work that Lunny now favors. “Consider Me” was written with Tyler Shaw, who can also be a charting Canadian pop musician. “We wrote that tune final Could. It was our first session; we had been simply attending to know one another. I had gone by means of a latest breakup, and we ended up deciding we should always write a tune about it as a result of if something good comes from a breakup, it’s positively a tune!” Lunny says with amusing.
As soon as they settled on the theme, the tune itself got here rapidly. “Tyler had a little bit of a melody thought and a few lyrics, after which we settled on the road, ‘Do you consider me?’ I feel that’s a extremely widespread factor everybody asks themselves when you exit a relationship. After that, the tune wrote itself in a number of hours.”
Final November, Lunny introduced “Consider Me” to producer AJ Healey, who has labored with Shaun Frank, Delaney Jane, and Adam Okay, amongst others. “We actually began to deliver it to life,” Lunny says of the uptempo tune. “I actually like how AJ added persona to the tune, production-wise. There’s some enjoyable ad-libs and laughing. I used to be tremendous enthusiastic about that.”
After that, Lunny says, “AJ and I had been on a inventive roll. We had some actually nice issues occurring within the studio. I confirmed him this little voice clip I had, it was simply me strumming the guitar over some chords and the road was, ‘Cigarette inside your hand, I want you’d maintain me like that.’ And we each thought, ‘That is actually cool – what can we make of it?’ that’s after we wrote “Bedsheets” – the traces simply saved flowing one after one other.”
Lunny reduce a scratch vocal observe for “Bedsheets” that night time. “Just a few days later after we revisited it, we determined that we couldn’t recreate that as a result of it was so within the second and it was crammed with emotion.” That authentic vocal take, then, is what listeners hear on the ultimate single.
“I feel it’s really my favourite tune I’ve ever written,” Lunny says of “Bedsheets,” with its solemn melody and delicate acoustic guitar backdrop. “It simply has a feeling. And I do know, as a listener to music, I gravitate to music that makes me really feel one thing, whether or not that’s completely satisfied or unhappy or excited or nostalgic.
“Some songs are positively extra weak. “Bedsheets” is a superb instance of a tune that’s basically like a diary entry. So it’s a bit nerve-wracking generally, however then it takes a weight off my chest after I launch sure tales into the world. It’s actually thrilling for me all the time to share, and hopefully folks can resonate with that.”
Lunny credit Healey for creating the snug environment that enabled each singles to come back to life so effectively. “We booked a couple of week and a half within the studio and the aim by means of that point was to be tremendous inventive and see what occurred,” she says. “We didn’t put any strain on ourselves, and I feel that’s really why I ended up with the very best outcomes. I make the very best music I’m actually simply having fun with it and having enjoyable.”
Her different collaborator, Tyler Shaw, additionally ended up serving to Lunny as soon as extra, when he not too long ago introduced her in on a charity challenge he initiated, whereby quite a few Canadian musicians – together with Justin Bieber, Avril Lavigne, Bryan Adams, Geddy Lee of Rush, and Sarah McLachlan – recorded a model of the Invoice Withers traditional “Lean on Me.” The only was launched in April, with all proceeds going to learn the Canadian Pink Cross.
Taking part within the charity single “was such an honor,” Lunny says. “It’s utilizing your present for the larger good. My identify being beside the opposite folks on the observe is a bit surreal! It’s been enjoyable to get to satisfy others who share the fervour of music. I’ve been lucky sufficient to satisfy some superb musicians who’ve welcomed me into their community of individuals.”
Publish-pandemic, Lunny plans to launch a number of extra singles, “After which hopefully there might be a full EP come fall. There’s no definitive date but, however keep tuned!” And after that? “Then we’ll see what the state of the world evolves into. Till then, I’m simply persevering with to write down and make music. That’s one thing I’m all the time doing.”
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