Beneath the Nashville skyline Bob Dylan wrote about after leaving New York to document there within the mid-1960s, Emma Swift was not simply flat she was, the Australian later realised, clinically depressed.

And it was displaying in her work. Or, extra precisely, it was not displaying in her work: no songs had been coming, no songs even appeared like coming. For a songwriter and singer in a metropolis stuffed with them, this wasn’t only a blip or one thing she might disguise.

Emma Swift: “I’ve always medicated with records.”

Emma Swift: “I’ve at all times medicated with data.”

“On a micro degree, I used to be in my thirties however hadn’t actually addressed any of my childhood experiences, or any of my relationship patterns that possibly I had inherited from my dad and mom. On a macro degree, Donald Trump had been elected and there was this pretty poisonous shift I believe within the tradition,” says Swift from the Nashville dwelling she shares along with her associate, the good, eccentric English singer/songwriter Robyn Hitchcock.

“The mixture of this rancid fascism rearing its head, mixed with the #metoo motion occurring and being a reasonably triggering expertise for me, and plenty of different folks, after which all of my private shit on high of that, made for such a potent and poisonous mixture.”

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