Each music in Into The Woods has had particular place in my coronary heart in some unspecified time in the future. I’ve grown up with this musical, to the extent that that these interpretations of the fairy tales imply extra to me than Disney’s animated classics, to be trustworthy. Rating Sondheim’s songs in Into The Woods film is like selecting youngsters and I might be mendacity if I advised you there weren’t tears streaming down my face for everything of the film.

Nevertheless, some interpretations are higher than others. Among the staging bought bizarre. It might have simply been the viewers round me, however I believe there might have been some tonal points. No person appeared to snigger on the similar bits. Granted, Sondheim’s humor is fairly dry, and his songs typically deal with the conversational lyrics somewhat than emotional belting. There’s nothing so dramatic as “Let It Go,” in Into The Woods, that is for certain. I do not suppose we’ll see a bunch of Youtube covers of “Hey Little Lady” or “Final Midnight.”

This is my official rating, now that I’ve seen the movie and poured over the soundtrack. Examine them out, and hear together with me until you do not need to be spoiled that a lot earlier than you hit the theater.

18. “Finale/Youngsters Will Hear”

The second half performs over the credit, so we’ll solely deal with the primary half right here. It’s good to listen to everybody sing collectively on the finish of the piece. Nevertheless, I didn’t love that it ended on clouds and I assumed having the second a part of the finale play whereas everybody’s faces appeared in the course of the credit was a bit tacky. Which may be because of “Too Many Cooks.”

17. “Cinderella At The Grave”

No disrespect to Joanna Driving, however this music is simply too brief to carry my consideration.

16. “Witch’s Lament”

Look, I perceive that the Witch is upset. I nonetheless don’t like this music.

15. “Cautious My Toe”

This gory a part of the Cinderella story can really be discovered within the Grimm Brothers’ model of the story. The stepsisters really minimize up their ft to try to match the slipper. Gross!

14. “Hey, Little Lady”

It will most likely be an unpopular opinion. I’m not saying the wolf shouldn’t be scary, however this was a bit a lot. Calm your zoot swimsuit, Johnny Depp! The association was additional jazz lounge-y and I’m undecided why and I didn’t take care of it. It is also so ridiculous that Little Pink trusts the Wolf however not The Baker. Possibly that is reasonable. What do I do know?

13. “A Very Good Prince”

This music loses factors for not passing the Bechdel Check! Which may be a bit harsh. There’s nothing improper with this music. It’s only a smaller second between two characters and I’m attempting to unfold the wealth.

12. “Any Second”

Adultery is dangerous! Simply kidding, I imply, that’s not why I’m rating this music so low. I simply suppose Chris Pine sounded higher in “Agony,” and the tempo lagged a bit. I’m not even going to deal with the bizarre accent he placed on on this film for no purpose. Emily Blunt’s confusion, nevertheless, was hilarious and the scene is great. I simply suppose the dramatic pauses had been a bit too lengthy.

11. “I Know Issues Now”

That is Little Pink’s first second of doubt, and the entire thing sounded simply as brassy and assured as ever. The flashbacks had been just a little bizarre, too. Abruptly she was falling down a rabbit gap and there have been shadow puppets?

10. “Prologue”

The “Into The Woods” tune/theme that’s launched within the Prologue could be the solely ear-worm that Steven Sondheim has ever written. I’m actually sorry if it will get caught in your head. Welcome to my world. There’s loads occurring right here. Meryl Streep does a little bit of rap. Guess you by no means thought you’d learn that sentence, huh? The scene, then again, is unimaginable. Sweeping forwards and backwards, introducing the entire characters. It’s formidable for a musical to try a conference that appears a lot extra conducive to the stage. They nailed it.

9. “Keep With Me”

That is Meryl Streep’s first huge second. It’s fairly creepy. She sings to Rapunzel, a woman she has captured, about how the world isn’t protected for her to go. It’s the identical tune, you could have observed, because the one Rapunzel sings out her window. Yikes!

8. “Your Fault”

This 5 particular person patter music is without doubt one of the most tough within the musical. It completely captures the sensations of blame and panic. It’s additionally a fantastic recap in case you fell asleep for some purpose. Nevertheless, anybody who has ever seen the stage musical, say it with me — “Your Fault” was too gradual! I discovered myself tapping my foot to try to quicken the tempo. Spoiler alert: it didn’t work. Bizarre.

7. “Moments In The Woods”

I do not suppose Emily Blunt goes to document an album any time quickly, however I can’t say sufficient about how effectively she acts in these songs. On this, she’s having an entire breakdown and it makes what occurs after all of the extra tragic.

6. “Agony”

What’s extra enjoyable than two princes arguing over who has it worst, whereas splashing by means of a stream and bearing their chest hair? This music was utterly uncontrolled and I liked it.

5. “Final Midnight”

Have you ever ever wished to intervene in a film and inform all of the characters how ridiculous they’re carry? That’s what the witch is doing on this music. I can’t inform you what number of occasions I’ve wished to subtweet “I’m not good. I’m not dangerous. I’m excellent.” Additionally, Meryl.

4. “Giants In The Sky”

It might be as a result of I’m a woman, however I typically overlook about Jack. Daniel Huttlestone’s huge music is incredible. It soars. It’s about rising up. It foreshadows The Baker’s Spouse and her want to dwell “in between” the fantasy and the truth.

3. “On The Steps Of The Palace”

With one easy selection, Sondheim gave Cinderella company and turned her into some of the relatable characters in musical theatre. As an alternative of simply dropping a shoe, the Prince has poured pitch (tar) on the steps. She’s caught, and finally chooses to depart the shoe for him. That lady over-analyzes that pitch the identical manner I scrutinize a textual content message. Plus, how many people have tried to flip the script to get out of creating a scary selection? It’s sensible.

2. “No One Is Alone”

In direction of the tip of the musical, 4 of our heroes come collectively on this music to tie each storyline collectively thematically. I dare you to not cry. We might have this music to thank for your complete film, to be trustworthy. Obama (or, at the least, his speechwriting workers) might have referenced it again in 2011 and the director, Rob Marshall, was impressed to carry this musical to life on display.

1. “It Takes Two”

As a fan of the musical, I don’t suppose I ever anticipated to select this music over all of the powerhouse solos. It’s a comparatively easy duet, however James Corden and Emily Blunt knock it out of the park. There’s one thing actually lovely about romanticizing and idealizing a working partnership. Plus, the music ends on a match of giggles and I don’t suppose I’ll ever discover something cuter than that.

Photos: Into The Woods/Fb



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